Reposting a post from April 2016

*NOTE: This post originally appeared on April 4, 2016. It occurred to me today that it was strangely prescient, since my fifth novel became EVERYWHERE BLUE, which is due to be published by Holiday House in Summer 2021.*

Musings on writing my fifth novel

Yes.

You read that right. I'm nearly finished writing the rough draft of my fifth novel. In the past nine years, I've written four MG novels and one YA, in addition to more than a dozen picture books. And no, in case you're wondering, I don't yet have an agent or a book contract. I've had fourteen publication credits to date, but they're all poems or flash fiction or micro fiction for adults.

Still, I keep writing for children and teens. Perseverance is my mantra.

But I have to admit, Novel #5 is, well, a little different. In what way?

Read on.

I started an idea notebook for my fifth novel back in the late spring of 2015, so nearly a year ago. After gathering ideas, and working out character sketches and a setting and a conflict, I wrote three chapters. Almost immediately, I became stuck. Something didn't feel right about it. So I put it aside and revised my fourth novel instead.

And then, in September, after reading Full Cicada Moon by Marilyn Hilton (even though it wasn't the first verse novel I read), I had an epiphany.

This new novel? The one I was stuck on? It was meant to be written in verse.

I spent two months reading and studying verse novels and then in November 2015 I started writing Novel #5 all over again.

Am I crazy? Well, this doesn't feel crazy. It feels... right. Since making that decision, the process has changed for me. Writing a verse novel is the hardest thing I've done as a writer, but at the same time, it's like I've grown wings. I look forward to writing every day, which is something I never did with a rough draft before. Rough drafts are usually agony.

I've been accepted into the Highlights Foundation workshop on Novels in Verse which will take place in May. Who knows where this will lead? Maybe nowhere. But maybe, just maybe, something good will happen.

For the rest of April, in honor of Poetry Month, I'll be looking at a few of the verse novels I've studied in my quest to learn this new (for me) form.

Over the past few years, I've read, in approximately this order:

Out of the Dust by Karen Hesse
42 Miles by Tracie Vaughn Zimmer
May B. by Caroline Starr Rose (this made me first fall in love with verse novels)
Pieces of Georgia by Jen Bryant
The Surrender Tree by Margarita Engle
Impulse by Ellen Hopkins
Because I am Furniture by Thalia Chaltas
Where I Live by Eileen Spinelli
Another Day as Emily by Eileen Spinelli
Full Cicada Moon by Marilyn Hilton
Blue Birds by Caroline Starr Rose
The Crossover by Kwame Alexander
Home of the Brave by Katherine Applegate
Inside Out & Back Again by Thanhha Lai
Libertad by Alma Fullerton
Mountain Dog by Margarita Engle
Make Lemonade by Virginia Euwer Wolff
Love That Dog by Sharon Creech

(I've also read Brown Girl Dreaming by Jacqueline Woodson, which is actually an autobiography, and The One and Only Ivan by Katherine Applegate, which some consider prose poetry.)

What verse novels do you recommend? All suggestions are welcome.

April is National Poetry Month -- how do you celebrate?

Sadly, I've neglected reading poetry during this national month celebrating Poetry. But now I'm reading an inspiring novel in verse. 

Does that count?

From portersquarebooks.com 

White Rose by Kip Wilson (April 2, 2019, Versify/HMH, ages 12 and up)

Synopsis (from Indiebound): Disillusioned by the propaganda of Nazi Germany, Sophie Scholl, her brother, and his fellow soldiers formed the White Rose, a group that wrote and distributed anonymous letters criticizing the Nazi regime and calling for action from their fellow German citizens. The following year, Sophie and her brother were arrested for treason and interrogated for information about their collaborators. This debut novel recounts the lives of Sophie and her friends and highlights their brave stand against fascism in Nazi Germany.

Why I recommend it: The verse is spare and simple and gorgeously written. Interestingly, the narrative jumps back and forth in time, but even my injured brain is having no trouble following it. Keep in mind this is YA. It's a somewhat difficult, though perhaps timely, subject.

Bonus: This novel in verse was written by a young woman I met at the Highlights Foundation in 2017. So proud of you, Kip!

Favorite lines (so far, from p. 46):  

                                        It's been five years since
                                        Herr Hitler's thundering rise
                                        to power, and
                                        in that time so much has
                                        changed in our small city:
      
                                                  red flags draped
                                                             over offices, schools, homes
                                                  armed soldiers blocking entrance to
                                                             Jewish businesses
                                                  thick, hard dread
                                                              spilling over the streets
                                                              sharp as glass.


________________________________________


If you're looking for more traditional posts for National Poetry Month:

Please visit Jan Godown Annino at Bookseedstudio and Linda Mitchell at A Word Edgewise.

(And coincidentally, I met them both at Highlights, in 2016!)

On Returning to the Highlights Foundation -- no longer a rookie, but still learning

Some of you may remember my blog post from last year about my first Workshop at The Highlights Foundation. I was such a rookie I didn't know how to find my cabin and I especially didn't know how to juggle my minor characters or add humor to a serious novel. I learned so much and came away impressed and vowing to return as soon as possible.

That blog post received thousands of page views, more than any other blog post in my seven years of blogging, except, oddly enough, my Yorkshire post. In the latter case, I suspect kids writing book reports on The Shakespeare Stealer found it, shall we say, helpful. But in the former case, my Highlights blog post must have touched a nerve. It seems every children's writer longs to attend a Highlights Foundation Workshop (or Unworkshop). And it undoubtedly helped that Highlights posted a link to my post on their facebook page. Thank you, Highlights!

The Barn at the Highlights Foundation -- where magic happens!

This month, I was thrilled to again attend a workshop and again, it was Novels in Verse (an Advanced version), with returning faculty members Kathryn Erskine and Alma Fullerton, plus returning guest author Padma Venkatraman. They're all delightful human beings and fabulous writers who go the extra mile to coach and encourage their students. They told me to dig deeper and add more emotion so that was what I worked on, along with combining two characters into one to streamline the story a bit.

I learned so much from them and was so inspired that my novel soared to new heights in only four days. What impresses me the most about Kathy and Alma is although they divide up the twelve attendees and each mentor six of us, both of them read all twelve novels! I don't know how they do it.

Hello, Cabin 9, my old friend! New name holders and easy-to-see Cabin numbers this year.

I also don't know how I accomplished so much. There must be a magical time warp in those cabins that allows writers to achieve more in a few short days than we ever could at home. Whatever it is, I hope they keep it up!

My smartest move this year was adding an Unworkshop Day after the Workshop was officially over on Thursday (oh, how I wish I'd added two!). I got a chance to go on the tour of the Highlights offices in Honesdale, ate another delicious dinner, and then hunkered down in my cabin and flew through my revisions in close to four hours of hard work that evening. It was almost a mystical experience, sitting in Cabin 9 late at night, typing away on my laptop and seeing my characters grow stronger with every tweak.

As I write this, I've been home only a few days and already I want to go back. Not just for the writing inspiration and camaraderie, but for the fresh and delicious food:

Lunch! 

Dessert (baked apples - yum!)

And for the fun of the Word Garden. I was thrilled when the rain stopped and I could play in it. Moving word rocks around is therapeutic and led to more than one new line for my novel.

Here's a tiny hint of what my novel in verse is all about:

Ready to sign up yet?

On visiting the Highlights Foundation for the first time... and my impressions of the Novel in Verse Workshop from May 2016

Some of you have been waiting patiently for this post. Sorry it took so long! I was a tad distracted (see my previous post).

Some of the cabins at the Highlights Foundation.
Mine was the second from the left.

How to sum up my first visit to the Highlights Foundation?

In one word: magical.

In many more words: The entire experience inspired me, from the first Saturday gathering of 14 strangers (twelve attendees plus two faculty members) over wine and cheese to the last goodbye hugs with all my new friends on Wednesday. I couldn't imagine a more caring, encouraging group with which to share my first Highlights workshop. I'm honored to have spent time with these talented and creative people (many of whom already have books published!). By the last day, we felt like a family. 

Yet I had a somewhat rocky start -- emails going astray for months, a cabin mix-up the day I arrived... There's always a story behind the story, right? Do you know what it's like to wander around a big rural campus in search of your name on a door, hoping to find it and not finding it? Agh!  

The lovely Jan Godown Annino (check out her wonderful blog) tried to help me solve my dilemma that first afternoon.  I'm afraid I was (unintentionally) a little short with her. I'm a timid driver and I'd just spent three and a half hours driving on unfamiliar highways. Not my favorite thing to do. So I was a wee bit cranky when I arrived, only to find someone else in what was supposed to be my cabin! Indeed, I almost felt Highlights didn't want me there. 

Silly, I know.

Of course, all was not lost. The indomitable Jo Lloyd took charge and put all things right, finding my name sign and canvas welcome bag (containing the schedule, among other papers), and assigning me to a different cabin, which worked out perfectly. I fell in love with Cabin 9 and it became my home for 4 nights. 

Cabin 9: my writing cabin and my sleeping, reading, and day-dreaming cabin

Inside Cabin 9: rustic but charming, and always quiet.

As we must do when confronted with unexpected situations, I adjusted my attitude and rediscovered my sense of humor (and I'm happy to say I became great friends with Jan Godown Annino!). That evening, I enjoyed meeting and getting to know all my talented fellow attendees, along with our fearless leaders, Kathy Erskine (author of the National Book Award-winning Mockingbird, and of Seeing Red, Badger Knight, and other novels, along with the upcoming verse novel Hidden Power) and Alma Fullerton (author of verse novels Libertad, which I reviewed here, Burn, In the Garage, and others). 

On the third day, we were joined by guest author Padma Venkatraman (I was excited to meet her because I'd already read all three of her novels, Climbing the Stairs, Island's End, and A Time to Dance). 

By that third day, I'd had conversations with every single attendee, even the reticent (and gifted) Ray, the only male in our group. Ray's powerful picture book in verse moved us all to tears when he finally read it out loud at Group Critique. 

Group critique every afternoon at 4 was followed by wine and cheese at 5:30 and then a delicious buffet dinner at the Barn. 

Getting ready for dinner

Wine and cheese time in the Barn!

The food at the Highlights Foundation is worth the price of the workshops. It's true! Always fresh, local, and delicious, and prepared by the most talented chefs you'll find. They even take into account your dietary restrictions and bring you a special plate if needed. I'm sorry I didn't think to take more photos of the generous buffets. This one below is a simple lunch. There were always plenty of salad and veggie choices as well as comfort foods like lasagna. Ingredients were identified (writing with chalk on the black tablecloth: ingenious!) so you could avoid known allergens.

Eating this wonderful food made us all feel healthy-- and quite spoiled! No cooking, no clean-up. It's a writer's dream. Highlights even provided snacks and coffee, tea, or soft drinks in the Barn at any hour of the day or night, though I was usually too full to consider it.

When the rain finally blew away, we could play in the word garden:

An attempt at poetry

or take a brisk evening walk, led by Kathy Erskine, a walk which helped jump-start my brain for more writing that night.

My writing desk and reading chair

Our mornings were filled with informative workshops held in the classroom corner of the Barn. My favorite moments were mostly visual. I will never forget Kathy Erskine crawling around on the Barn's hard stone floor to demonstrate how she got into her character's head in the medieval tale, The Badger Knight, when Adrian hid under a pew at Carlisle Cathedral. And Alma telling us how she got into her character by huddling in a snow drift for hours with no coat or shoes. Wow! Talk about dedication. 

After Padma joined us, she described binding up her leg for a day and trying to walk around. That was how she got inside her character in A Time to Dance, her moving verse novel about a dancer who loses one leg in an accident.

Our afternoons included plenty of free time to write. And write is what I did. Inspired by my one-on-ones with Alma and Kathy, I managed to write four new poems for my verse novel in the time I was there, and many more since I came home. From my one-on-ones and from comments in Group Critique, I learned that I need to flesh out the minor characters more and add some humor to what has turned out to be a serious MG contemporary novel.*

I came away with a renewed sense of purpose for my novel in verse and a sense of lasting camaraderie with an amazing group of people. I'm sorry I don't have people pictures, but check out the Highlights Foundation site (at least, for now) and you may catch a glimpse of our group.

If you've never attended a Highlights Foundation workshop, please keep it in mind for the future. It's a must for any writer. And they do have scholarships. Just ask!

Personally, I can't wait to go back.

*Oh, you thought I was going to tell you what my novel is about? Sorry! That will have to wait.